What I need to do is fill the nut slots and recut them. I've done this one bone a lot, but I think this might be the first time on an ebony nut.
The process really is the same. I took a hunk of ebony I had on hand, leftover from making a bridge on this same guitar, and I filed on the edge to make some ebony sawdust.
You could use sandpaper to do this, but you'll find you get sandpaper bits in the sawdust. Better to use a file I think.
Then sprinkle some of the sawdust into the nut slot in question - here it's the first string's slot - the high A.
All of my pre-war Martins have ebony nuts. If you think about, ebony makes a good material for nuts - it's hard and dense for good tone but yet it's still easy to work with.
I don't know if Martin used ebony exclusively during this time frame, but I know I've seen a lot of Martin instruments from this era with ebony nuts.
You see that I put some tape on the guitar to protect it during the next step.
As with a bone nut, we hit the ebony dust with a drop of thin CA (super) glue. I'm using a dropper to get the glue in the slot and not all over the guitar!
Then let it dry for 5-10 minutes.
After the ebony fill has dried, you can use a nut file to deepen or recut the slot as needed. Or leave it as is. Whatever is needed.
Slots filed a bit and strung back up.
The slots are deep and wide on this guitar, so it actually took me a few attempts to get the depths just right. I find that on tenor guitars with a short string length (I think this one is 23 inches), and therefore a more 'flexible' string tension than a standard guitar, you can't go quite as low on nut slots.
Now back to practice!
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