I hit the Ovation neck chips up with some stain and set the neck aside to dry. I think the color is a decent match. After it dries I'll work on the fill. In the meantime, I have plenty to keep me busy.
The other customer guitar (same person, different guitar) is a Fender Flame Elite. This is an interesting guitar - made by Fender Japan for one year only in the early 1980s. If you think of a Fender as a Telecaster or a Stratocaster, think again.
This guitar was clearly aimed at the Les Paul player-market. Mahogany body, maple cap, two humbucking pickups, four knobs, and a Gibby-style selector switch.
Three things to fix on the guitar: the output jack is fluky, it needs a setup, and there are extra tuner holes on the headstock to be filled.
The picture above is the output jack. When a jack plugged in and wiggled, it loses contact and signal. This is a flush-mount jack, so I need to take it out and see if I can get the contacts fixed.
It feels like automotive repair central here in the Dungeon all of a sudden. First the bolt-on Ovation neck, and now a box-end 14mm wrench on the output jack.
Not exactly your usual guitar-fixin' tools.
Here's the jack removed from the guitar. It's basically sealed, which means I can't get into the innards to bend the contacts.
So I need to order one from the Interweb. In doing so, I find out that Jackson guitars use these, and they are only so-so with regards to reliability. Well, this one lasted about 25 years, so that's not too bad.
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